What Martin Short and I have in common

Well, not a lot. I adore him. He has never even heard of me. But there are three things we share …

First, the not-a-lot part. Martin Short is rich, famous, and funny. I pay for coffee with change scoured from the couch, have people in my own house ask what my name is again and the last time I told a joke, I heard crickets from as far away as Maine (and I’m in Nova Scotia.)
Yet the awesome Mr. Short and I have three very important things in common.
1. We are both proud Canadians
2. We are both proud parents, each with three children without whom life would not have been near as complete
3. We have seen the power of a story, a life story, to vanquish the shadows of grief and turn a final chapter into the NEXT chapter.
I just finished reading I Must Say, his life story written in collaboration with David Kamp and I must say … it was fascinating. His trail from middle class Hamilton, Ontario to zany star of the stage, television and silver screens was both blessed and bungled. Sometimes he landed the joke, part or project; sometimes he didn’t, usually because of those great mysterious forces that govern studio decisions or audience preferences. There is no explaining it, just dealing with it. And deal he did, hanging in there after every surprise turn and carving both a professional and personal niche in Hollywood society. But amid all the marquis lights and name dropping, one stood out: his wife Nancy, who was by his side for every step, decision, doubt, failure, anxious moment, and gloried award. So much was she a part of his story that … and spoiler alert if you’re like me and don’t keep up on celebrity news … it was impossible to believe that she was actually going to die. In fact, on live TV a couple of years later he was quizzed on the secrets to their successful marriage, and what keeps them together.  The interviewer then, as I was while reading it, was oblivious to the fact that Nancy passed, in 2010. Always the gentleman, he didn’t correct the host on air, and went on to say the slip wasn’t her fault: he still felt married, and still felt his wife’s presence in his life. Then in 2014, he released this book, which in its final chapter outlines his plans for shows, tours and other things he will do as he navigates this new phase of life: single again at 60.
Now, I’m not a man of middle age or a widower, but this is where his path and mine align, at least for a time.
The year he lost his wife and the light went out on his life, I was finishing Finding Maria, and turning the light back on for someone who, like Martin, had a life full of work, family, and a wife who kept him grounded and gave him wings.
Until she died, taken suddenly by cancer, just like Nancy.
Years would go by with him functioning but missing something, a part of him in perpetual darkness, until by some circumstance we met, he shared his story, and I became the named writer to get it to print, even though we had worked together for more than a year before I realized the wife he referred to so casually, as a routine part of his life, had passed away years before. As Martin did with the interviewer, this gentleman did with me: held me not responsible for the slip, choosing instead to see that I was reacting to the obvious. His wife was still very much alive in his heart, and a part of his life. So we forged on and five years later, we are business partners and creators of a book series, in which the fourth book – Song of the Lilacs – contains his beloved wife’s story.
So often I have asked as our books took form, and again I ask as I finished reading Martin’s story:
Why did these two men survive their devoted partners, when so much of their success and joy was entwined with them? The answer is in the writing.
With each memory shared, a piece of a path was revealed; with each sentiment spoken aloud, a glimmer of light emerged. Simply put,  life turned out to be not a random series of events and mistakes, but a journey, with much left for them to explore and share: talent, experience, compassion, wisdom, a sense of fun, and an inner strength revealed only by their survival of a loss so deep. The world needs them, and the process of sharing their stories has helped  pull them from the depths and back, blinking, into the light.
As I said, I don’t have a lot in common with the humble legend Martin Short.
But we do have one connection. The power of the written word.

Thanks for reading.

– Jennifer

Jennifer Hatt is author of the Finding Maria series.
Song of the Lilacs, Books Four, is now available. www.FindingMaria.com.

To Boldly Go: 5 lessons on book promotion

My love of Star Trek is not pure escape any more. It has taught me about the great unknown that is book marketing. For example:

1. Look big, especially if you’re small
Think of wee Clint Howard’s character in The Corbomite Manoeuvre. For those of you who haven’t had the pelasure, the Enterprise crew face destruction from a stern, imposing alien. Meeting face-to-face, the crew discover a tiny childlike creature who only wanted some company, using a giant puppet to appear more fearsome. It certainly got their attention.
For authors and publishers promotiong books, our ‘imposing alien’ is a professional storefront: engaging and efficient website, impressive social media presence, professionally designed and produced print materials, consistent and relevant blog posts … you get the idea. Today’s technology and range of services means our imposing appearance is limited only by our imagination and courage.

2. There is no such thing as no-win
This lesson is courtesy of James T. Kirk and the Kobayashi Maru. To recap, the Kobayashi Maru was a training simulation mandatory for all Starfleet command cadets, programmed to be ‘no-win’ to gauge their ability to handle inevitable destruction. Kirk was the only cadet to ‘beat’ the simulation. He tampered with the simulation computer program, offering up as his defence the simple statement: “I don’t believe in no-win scenarios.”
In the fierce, sometimes all-consuming world of book promotion, we need to be reminded that there is no such thing as no-win. If something looks dire, reprogram the parameters.

3. The Prime Directive is sacred, except when it isn’t.
The Prime Directive is the strict Starfleet regulation of non-interference with the evolution of other cultures, a regulation to be upheld at all cost. However, episodes abound in which the Prime Directive is broken, bent, or shaved just a little, because the greater good depended upon it. In other words, sometimes rules are guidelines, or need to be broken altogether. Instinct and circumstance are truly what count.

4. Beware the colour green.
In the Star Trek universe, the green-skinned women are nothing but trouble, the green disrupter fire is deadly and green on your Vulcan officer’s tunic means he is bleeding to death. In the universe of book writing and selling, green emerges in the form of jealousy, and that is one monster that needs to be transported off your ship or at least caged where it can do no harm. Being bitter over authors selling more or getting better reviews will set you on your arse faster than a phaser set on stun.

5. Boldly go where no one has gone before.
That mantra has sustained generations of television franchises, movies, books, and fans. Even if you have never heard of Star Trek or have little desire to engage in the fandom, that’s what your book does, too: Boldly Go Where No One Has Gone Before. Your voice is unique. So is your story. That’s why you wrote it. Don’t stop now.

To boldly go into book promotion: 5 valuable lessons

From our collection…

My love of Star Trek is not pure escape any more. It has taught me about the great unknown that is book marketing. For example:
1. Look big, especially if you’re small

Think of wee Clint Howard’s character in The Corbomite Manoeuvre. For those of you who haven’t had the pelasure, the Enterprise crew face destruction from a stern, imposing alien. Meeting face-to-face, the crew discover a tiny childlike creature who only wanted some company, using a giant puppet to appear more fearsome. It certainly got their attention.
For authors and publishers promotiong books, our ‘imposing alien’ is a professional storefront: engaging and efficient website, impressive social media presence, professionally designed and produced print materials, consistent and relevant blog posts … you get the idea. Today’s technology and range of services means our imposing appearance is limited only by our imagination and courage.

2. There is no such thing as no-win
This lesson is courtesy of James T. Kirk and the Kobayashi Maru. To recap, the Kobayashi Maru was a training simulation mandatory for all Starfleet command cadets, programmed to be ‘no-win’ to gauge their ability to handle inevitable destruction. Kirk was the only cadet to ‘beat’ the simulation. He tampered with the simulation computer program, offering up as his defence the simple statement: “I don’t believe in no-win scenarios.”
In the fierce, sometimes all-consuming world of book promotion, we need to be reminded that there is no such thing as no-win. If something looks dire, reprogram the parameters.

3. The Prime Directive is sacred, except when it isn’t.
The Prime Directive is the strict Starfleet regulation of non-interference with the evolution of other cultures, a regulation to be upheld at all cost. However, episodes abound in which the Prime Directive is broken, bent, or shaved just a little, because the greater good depended upon it. In other words, sometimes rules are guidelines, or need to be broken altogether. Instinct and circumstance are truly what count.

4. Beware the colour green.
In the Star Trek universe, the green-skinned women are nothing but trouble, the green disrupter fire is deadly and green on your Vulcan officer’s tunic means he is bleeding to death. In the universe of book writing and selling, green emerges in the form of jealousy, and that is one monster that needs to be transported off your ship or at least caged where it can do no harm. Being bitter over authors selling more or getting better reviews will set you on your arse faster than a phaser set on stun.

5. Boldly go where no one has gone before.
That mantra has sustained generations of television franchises, movies, books, and fans. Even if you have never heard of Star Trek or have little desire to engage in the fandom, that’s what your book does, too: Boldly Go Where No One Has Gone Before. Your voice is unique. So is your story. That’s why you wrote it. Don’t stop now.

Music Monday: Spine-tingling mystery of Unchained Melody

I was watching The Wonder Years with that adorable little Fred Savage (yep, my Senior years are on the horizon) when I first heard the song. There he was, slow dancing with the love of his life Winnie Cooper in their school gym. As sweet as they were to watch, it was the soaring notes and the simple yet gripping flow between major and minor chords that to this day conjure up the TV image from so long ago. I relived that moment in 1990, when that gorgeous creature Patrick Swayze paid a visit to his pottery-making love in the movie Ghost. I’ve never been able to look at a pottery wheel quite the same way again, and the haunting memory of that song remains.

Patrick Swayze and Demi Moore in Ghost (Paramount Pictures, 1990)

One of the joys of being a writer is being able to bring to life (or back to life) favorite memories and things to share with readers. Unchained Melody is one of those things. Our new book in the Finding Maria series, on the Scent of a Mandarin Moon, set for release later this year, includes a love scene between the two main characters where the strains of Unchained Melody are carried from a point unknown across a city street drenched in rain to wrap them both in a moment of impulsive, tempestuous connection. While I can’t share any more of ths story right now – but please stay tuned 🙂 – I can share a few new-to-me facts I discovered about the song:

What’s in a Name? Search or listen to the song lyrics and nowhere is the phrase Unchained Melody used. So, why this name for the song? As for many songs, this tune was birthed by a movie. Unchained, released in 1955, is the story of a convict torn between escaping prison to return to his family now or enduring the years of his sentence and sacrificing the years ahead with them to legally be with them in the end. Unchained Melody, written by Alex North with lyrics by Hy Zaret, is the lament of this prisoner for his wife. The movie soundtrack featured Todd Duncan on vocals, and since that time the song has been recorded in every genre from rockabilly to comedy, making it one of the most recorded songs of the 20th century. Pick an artist and he, she or they have probably recorded or performed it. Elvis? Check. Tom Jones? Of course. Queen? Yes, indeed. Even Cyndi Lauper, nicely grown out of her pop girl phase, has added a new dimension of haunting beauty to her new version. But the cover that carries my two characters away in a haze of passion is the one with which we are no doubt most familiar: the 1965 jukebox staple sung by Bobby Hatfield of the Righteous Brothers, which with his crystal-pitched vocals and Phil Spector’s soaring backgrounds can still shoot tingles down my spine, even after hearing it several hundred times over the last few decades. Try it and see:

http://www.youtube.com/watch?v=iEshQf-tCJE&feature=youtube_gdata_player

Songs tell stories in their own right. But also fascinating are the stories behind them, and the stories they give rise to, including mine.

I’ll be sharing hints of the new book on our Facebook page, www.Facebook.com/FindingMaria, if you want to like and learn more. Meanwhile, thanks for joining in today and sharing in one of my favourite songs. Is it your favourite, too? What song makes your spine tingle?

Mommy, Where Do Novels Come From?

Writing a novel has often been compared to childbirth. Having birthed three children and written one novel, I think the comparison is a bit of a stretch – no pun intended 🙂

However, as Finding Maria finds her way onto shelves, into stores, and in the hands and discussions of readers, I have to admit that I am considering a sibling. Perhaps it is the thrill of seeing a book come off the press, or maybe it’s the great excuse a book launch provides to have a good party. More likely, it is that the characters in Finding Maria have just begun to feel the sun on their faces, and are bursting with more stories to tell.

Whatever the reason, I am excited about the prospect of writing again, but a little timid of entering into the solitary writer’s lair that can be the creative process. This time, I I’m going to try writing with the office door open, just a little, in case you’d like to chat, get a glimpse of a work in progress or learn a bit about this process that gets a novel to paper. Snippets of new creation, reflections, or whatever the day brings will be posted here. I invite you to share as well.

Finding Maria first blog post

Welcome! This is an event of firsts for me.

This is my first blog posting, on my first web site, to invite you to share in the release of my first novel, Finding Maria.

For the past 20 years, I have earned my living as a non-fiction writer. The only things I wrote purely for enjoyment were invoices and bank deposits.

To describe the writing of a novel as enjoyable is to describe barreling down Space Mountain (or any other of those terrifying roller coasters) as a Sunday drive. However, getting to know Jack, Gwen, Rose, and Billie, as well as Rover, Joe, Gus, and the others who played an integral role in Jack Brandugan’s life has been much the same: intriguing, heartbreaking, terrifying, and yes, fun. I hope you agree when you read the book.

I look forward to your thoughts on the book, the web site, the writing process, or the world of books in general.

– Jennifer Hatt