From the gardening trowel of babes

I spent a lovely evening with my son at a gardening class a few nights ago. It would have been cheaper to take him out drinking. We’d at least have payback from the empties, unlike what I’ll get when these plants follow the proud tradition of those who have been potted before them, which is up and die.

What won’t die this time, though, are the memories of his patience as I listened to the gardener speak plainly and slowly, then tried to translate his simple commands into visible action. An entire greenhouse at my disposal with any plant I wanted to use (and buy, of course). Helpful staff. A warm, pleasant evening. All odds were in my favour but still, my project looked like a reject from toddler day at the flower show.  “No, your container doesn’t look like hers,” my son murmurs in a tone surprisingly mature for 14, “but that doesn’t me an it’s ugly.” He pats my hand and points to a bench bursting with blooms.  “Here, try these.”

Selecting five random plants, he trowels, inserts, tamps down, and waters, his sturdy 6-foot frame curled over my container like Merlin in his quest for gold. Standing tall to reveal his work, the mixed blooms blend into a floral family right before my eyes.

Like the chapters in my books. At first, I love them, the idea, the flow. Then I hate them. Everyone else’s books read better, sound better, sell better. I push back from the keyboard in resigned exasperation. I sow hopelessness and resignation under a thick layer of gloom upon all with the misfortune to cross my path. Then someone comes along and calms me down with a focused dose of reality. Sometimes, it is my muse. Or a child whispering “I love you, Mommy, even though your books don’t sell.” Or an angel bearing Margaritas. Whatever the wakeup call, I squint in the newfound sun and in the immortal words of my great-grandmother, I get over myself, go back to my screen and keep going. It doesn’t sound like their stories because it is mine, flaws and gaps and all.

And in the fading glow of the evening sun, I listen to my son, not bearing Margaritas but marigolds, amid words for which my frustration is no match.

No, my container doesn’t look like hers. But it is still beautiful.

His talent does not go unrecognized. His glow of pride as his container is complimented by passing staff and gardeners is outshone only by the glow of my credit card as it bears the pressure of tuition, soil, baskets, and plants with names straight from outer space and pedigrees to match, given the price of the little darlings. But even if I kill every last one, the money spent will pale to the memory no one can erase, dismember or otherwise take away. How often does a teen want to hang with his mom? There’s the priceless gem.

There’s one in every torment, waiting for those willing to dig in the dirt and bring it to light.

Lessons from a Dingbat

Another piece of childhood was buried this weekend with the passing of Jean Stapleton. God love her, she made it to 90 after a career in a profession known to take more than it gives. Jean’s characters on stage and screen were rich, vivid and plentiful, but to me and millions of fans, she is best remembered for the life she breathed into Edith Bunker.

I was 8 years old when I first met Edith. Our black-and-white TV got two channels, and one night a week, All in the Family became my family. I didn’t know what racist meant, or why it was such a big deal that Gloria didn’t take her ‘pill’. I loved the slapstick comedy, the blustery rants of the big guy in his armchair and the tittering giggles of his attentive wife. Edith was cute, but it was Archie I loved. My Grade 3 report on my favourite TV show detailed the scene where Mike is accusing Archie of using the vacuum cleaner on the linoleum floor. It’ll scratch the floor, Mike told him. ‘I know,” Archie sneered, “i wasn’t going to use the vacuum on the linoleum floor.” The camera lans to the Hoover upright standing squarely between them. “So why is this here?” Mike demanded. Archie draws to full height. “It likes me. It followed me in here.” I still find his comeback hilarious, but as a kid, I liked the fact that there was a comeback at all. Even at eight, I was tiring of the sitcom sweetness that insisted everyone in the world was patient, gentle, understanding, and capable in 20 minutes of soothing the hurt and sailing to a happy ending.  My mother rarely watched the show because it was too loud, but that’s what I liked. Real people argued, got angry, stomped their feet, and yes, even lied now and then to get out of trouble. I watched the show faithfully on air, then in reruns. But it would be 30 more years before I glimpsed the depth brought to Edith by the actress who gave eight years of her life to portray her.

It was easy to dismiss Edith as the stereotypical housewife, tied by her apron strings to a boorish husband and demeaning life. Even Jean herself once said Edith was a character she hoped most women would not aspire to be: uneducated, limited in her options, an object of ridicule. As a wife and mother now myself, I tried watching Edith with more mature eyes. Was she a pathetic figure sacrificed for the sake of a laugh? I had to admit it was possible. Then I saw the pilot episode, with the first incarnations of the Bunker family captured on film. Jean played the role of Edith not as a ‘dingbat’, but as the typical bitter, frustrated housewife to be expected putting up with the likes of Archie. Her voice was lower, her comments sarcastic, her demeanour one of passive aggression. It was fascinating to see, these two lives of Edith. Then, I watched a subsequent episode and Edith was back: her high-pitched shriek extolling her joy at Archie arriving home for dinner, her baffled expression as she tried to fathom his logic, her beaming smile as he bestowed upon her the title of ‘dingbat’ for the hundredth time that season, and I didn’t see a victim, a woman trapped, a life ensnared: I saw love. Beneath the bubbles of Edith’s airhead image beat the heart of a lion: devoted, dedicated, and wise. Edith was portrayed as a woman who stood by her man not because she was forced to by finance or circumstance, but because she saw through his bigotry, brashness, and anger to the kind person he was. Archie cut his teeth on the Great Depression, came of age in World War II, and energed to coat what remained of his feelings in the working class grit of the city and the cloak of gender where men would die rather than reveal their emotions, especially when it came to their wives. With every ‘Oh, Archie!’, Edith accepted this and revealed that she saw what we only glimpsed in the rarest of scenes: the tender side of Archie Bunker. With every stoic acceptance of his criticism, she protected his vulnerable side and the two communicated in away only true soulmates can.

Edith wasn’t weak. She was stronger than most of us will ever be.  And it took a most gifted, devoted actress to bring those layers to a character written solely to be a foil for the male lead. Jean may be gone now, but she remains a beloved role model.

“Those were the days.”